Film Review: Arjun S/o Vyjayanthi

🎥 Film Review: Arjun S/o Vyjayanthi

Release Date: April 18, 2025
Language: Telugu
Director: Pradeep Chilukuri
Starring: Nandamuri Kalyan Ram, Vijayashanthi, Saiee Manjrekar, Sohel Khan, Srikanth
Music: B. Ajaneesh Loknath
Rating: ⭐️⭐️⭐️ 3.2/5

Arjun S/o Vyjayanthi

🧨 Overview:

Arjun S/o Vyjayanthi is an emotional action drama with a tried-and-tested formula: a mother-son fallout, a misunderstood transformation, and a vengeful villain thrown in to stir the pot. Directed by Pradeep Chilukuri, the film banks heavily on its lead performances, particularly Kalyan Ram and Vijayashanthi, to carry a story that doesn’t reinvent the wheel — it just rolls it decently.

📝 Plot Summary:

Set in Vizag, Arjun Vishwanath (Kalyan Ram) is the son of an upright IPS officer, Vyjayanthi (Vijayashanthi). She wants him to follow in her footsteps and wear the khaki, but a mysterious fallout causes her to sever ties with him. Left out in the cold, Arjun spirals into vigilantism, becoming a protector of the people rather than an officer of the law.

Enter Pathaan (Sohel Khan), a man with a vendetta against Vyjayanthi. As he makes his move, secrets from the past unravel, forcing mother and son back into each other’s orbits. The climax holds a twist meant to tie it all together — whether it lands depends on your tolerance for melodrama and creative liberties.

👍🏼 Plus Points:

💥 Kalyan Ram’s Performance

Kalyan Ram is in fine form. He looks the part, sells the action convincingly, and manages to add emotional gravitas where the script doesn’t give him much help. His character might be underwritten in places, but he elevates it with sheer commitment.

👑 Vijayashanthi’s Return

Vijayashanthi brings dignity, command, and a heavy dose of nostalgia to the screen. Her presence gives the film its emotional core. Scenes with Kalyan Ram — especially the confrontations — are among the few that actually feel grounded.

🎬 Action & Visuals

Ram Prasad’s cinematography delivers slick visuals, and the action choreography is tight and stylish. Fans of slow-mo punches, over-the-top stunts, and cinematic brawls will not be disappointed. Think of it like Telugu Batman without the cape.

🎭 Climactic Twist

While the writing isn’t Shakespearean, the twist in the final act does manage to add a bit of intrigue. It’s not revolutionary, but it helps the film stick its landing better than expected.

🤝 Supporting Cast

Srikanth, Animal Babloo, and Sohel Khan all do a passable job. Nothing groundbreaking, but they don’t drag the film down either.

👎🏽 Minus Points:

💔 Recycled Storyline

The “estranged parent-child with unresolved drama” arc has been done a thousand times. This one doesn’t bring anything new — just rearranges the furniture in a familiar house. The predictability eats away at the emotional impact.

🧻 Dialogues & Emotional Weakness

The script flirts with emotion but never commits. Some scenes are rushed, some overwritten. The dialogues swing between melodramatic and plain dull. This is where the film could’ve punched harder — especially given the premise.

🤯 Logic Went on Vacation

You’ll need to suspend reality more than a few times. That scene where a guy floats to shore holding a piece of cloth? Yeah… that’s a level of “cinematic liberty” that belongs in cartoons. And it’s not a one-off — there are multiple logic-defying moments that pull you out of the experience.

🚫 Saiee Manjrekar’s Character: The Accessory

Let’s just call it: her role is decorative. She’s barely relevant to the main plot, gets zero character development, and her romantic subplot with Arjun feels tacked on. This is 2025 — we’re still writing paper-thin female characters?

🎵 Music: Mid at Best

Ajaneesh Loknath is usually more inventive, but here, the music just floats in the background. The background score holds some intensity, but the songs? You’ll forget them before the credits roll.

🛠️ Technical Department:

Direction: Pradeep Chilukuri plays it safe. He knows the beats but doesn’t push for freshness. Serviceable, not standout.
Cinematography: Ram Prasad’s visuals are crisp, and some wide shots of Vizag are nicely composed.
Editing: Thammiraju keeps the pace decent; not too long, not rushed.
Production Values: Pretty solid — looks polished even when the story isn’t.

🧾 Verdict:

Arjun S/o Vyjayanthi is a masala drama that checks all the usual boxes — action, emotion, a hero with a past, a mom with a gun, and a villain with a grudge. But it plays it way too safe to be memorable.

Kalyan Ram and Vijayashanthi do the heavy lifting, and their performances are enough to keep this from being a total write-off. The action sequences are flashy, and if you’re the type who likes your emotions loud and logic loose, this could be your weekend fix.

Just don’t go in expecting anything you haven’t seen before — probably on Gemini TV at some point in the last decade.

🎯 Final Rating: 3.2/5 Stars

Decent one-time watch with solid leads. Functional, not phenomenal.
🎬 Watch it if: You’re here for mother-son melodrama and high-octane action.
🚪 Skip it if: You’re allergic to clichés and demand tight, intelligent storytelling.

Also read: Nithiin’s Robinhood Set for a Grand Release on March 28, 2025 – A Julayi-Style Entertainer!

Last Updated on Friday, April 18, 2025 3:20 pm by Admin